Gaeira's Anvil (A&S)

Hellenic Textiles and Artwork

Gaeira's Anvil...BLOG

Metalsmithing Resources

* Sawing Tips
*Metal Alloy Table
*Suppliers
*Class Handouts


Personal A&S
Projects
- Viking Apron Dress
- Viking Under Dress

- Tablet Woven Belt
- Tablet Woven Belt, 2nd

- Woven Pouch

- Shawl
-
Cloak

RESEARCH

Viking Age: Jewelry
Metallic
- Construction

-
Brooches
Non-Metallic
- Lampwork, Glass Beads

Viking Age: Textiles
- Clothing
- Female Clothing
- 'Apron' Dress / VAD

- Hood
- Kaftan

- Leg Coverings NEW

Period Fiber Arts
- Fiber: Flax
- Fiber: Hemp
- Fiber: Lime Bast
- Fiber: Icelandic Wool
- Spinning
- Weaving
- Wool Felting
- Tablet Weaving
- Nålebinding
-
Sprang and Fingerloop
- Icelandic Textiles

-
Edge Finish

- Textile Decorations

* Stitches and Seams

* Embroidery
* Sewing Tips
* Dress Form



Miscellany
- Bone, Antler, and Horn

- Footware

ICELANDIC VIKINGS
- Research
- Textiles
- Burial
- Animals
- Icelandic Wool
- Miscellany

VIKINGs/Norse
- Arts
- Burial
- Heraldic Display
- Viking/ON Names
- Runes
- Conferences
- Voyages
- Miscellany


- Heraldry
- Heraldic Display
* SCA Heraldry

- Silk Painting
* SCA Dates

- Resources/Links

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-- Class Handouts

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IDD Guilds

Web: IDD Metalsmiths' Guild

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Web: IDD Gilded Dragon


Please also see: Hellenic Clothing ; Hellenic Textile Techniques ; Hellenic Metallic Artwork ; Minoan and Mycenaean Textiles and Artwork ; Byzantine Textiles

PUBLISHED ARTICLES /BOOKS / THESES / RESOURCES / On FACEBOOK / MOTIFS / DIGITAL EXHIBITIONS / VASES / BUTTONS / Bronze Age warrior's Tomb / COLORIZED SCULPTURES / METALLIC / MISCELLANEOUS / TOP


PUBLISHED ARTICLES


Dress and Adornment in Archaic and Classical Greece
by Mireille M. Lee

Tracing textile cultures of Italy and Greece in the early first millennium BC
By Margarita Gleba
- Access Open access Volume 91, Issue 359 October 2017 , pp. 1205-1222

Ancient textiles reveal differences in Mediterranean fabrics in the 1st millennium BC
By Margarita Gleba
- Article and video

Detecting gender in ancient Greek dress. The case of fibulas and pins
by Cecilie Brøns
- Request PDF from the author through the website

Weaving the Threads: methodologies in textile and dress research for the Greek and Roman world – the state of the art and the case for cross-disciplinarity
by Mary Harlow and Marie-Louise Nosch

From Texts to Textiles in the Aegean Bronze Age [21-page, PDF] [or here]
by Marie-Louise Nosch

Reconstructing The Ancient Aegean/Egyptian Textile Trade [5-page, PDF]
by Elizabeth Barber, Occidental College
Textile Society of America Symposium Proceedings

Symmetries of Culture [20-page, PDF]
by Donald W. Crowe
- BRIDGES Mathematical Connections in Art, Music, and Science

Mathematics and Symmetry A Personal Report [16-page, PDF]
by Donald W. Crowe

Wringing It Dry: The Challenge Of Prehistoric Textiles [11-page, PDF]
by Elizabeth Barber, Occidental College
Textile Society of America Symposium Proceedings


FIBERS

Thermal Properties of Moist Fabrics [31-page, PDF]
by Charles W. Hock, Arnold M. Sookne, Milton Harris

Fibre Policy Sub Groups Report [72-page, PDF]
Minister of Textiles, Government of India


BOOKS

Greek and Roman Textiles and Dress: An Interdisciplinary Anthology *****
Edited by Mary Harlow and Marie-louise Nosch
[Google Book Preview]
- 2nd Proof, 433-page, PDF

Body, Dress, and Identity in Ancient Greece ***
by Mireille M. Lee
[Publisher] [Google Books] [Google Books Preview]

Ariadne's Threads: The construction and Significance of Cloths in the Aegean Bronze Age ***
by Berenice Jones
- Peeters: Amsterdam. 2015
[WorldCat] [Google Books]

Woven Threads: Patterned Textiles of the Aegean Bronze Age *****
by Maria Shaw, Anne Chapin (see Minoan below for her papers)
[Google Books] [Google Books Preview]
- See Page 13, "Fig. 1.7. The patterned textiles (A. Chapin)" Four-Pointed Star and Trifoil *****

Greece & the Hellenistic World / Art & Architecture
Publisher: Oxbow Books
- Resource


PUBLISHED ARTICLES /BOOKS / THESES / RESOURCES / On FACEBOOK / MOTIFS / DIGITAL EXHIBITIONS / VASES / BUTTONS / Bronze Age warrior's Tomb / COLORIZED SCULPTURES / METALLIC / MISCELLANEOUS / TOP


THESES


The Importance of Cloth: Aegean Textile Representation in Neopalatial Wall Painting [136-page, PDF]
by Cristin J. Donahue
- Master's Thesis, 2006
- SEE pp 90 and 97***** [four-pointed star and dotted grid motifs]

The Aegean and the East: An Investigation into the Exchange of Artistic Motifs - between the Aegean, Egypt, and the Near East in the Bronze Age
Volumn 1 [305-page, PDF]
Volumn 2 [176-page, PDF] pp. 86, 90, 92, 99, Spirals 101-105, Star Disk in Crescant 111 *****
by J.L. Crowley
- Thesis
"The aim of this thesis is to investigate the artistic phenomenon that, in the Bronze Age, many motifs were used in common by the arts of the Aegean, Egypt, and the Near East, in order to come to a conclusion as to whether this common usage can be attributed to indigenous creation in each separate area or whether it is due to crossfertilisation of the artistic traditions."


RESOURCES

Beazley Pottery Database
Classical Art Research Centre Pottery Search, Oxford University

Andromeda of Sparta
- Main Blog Page
Photos from Greece
- Photo galleries, click on the main picture to enter each section.

Arachne Journal *****
- 4 issues available for free download. Many articles are in Greece, a few are in English, but there's an English edition of #3.
- "Arachne is a periodical edition of the Hellenic Centre for Research and Conservation of Archaeological Textiles (ARTEX), first issued in 2003. Its main goal is to raise awareness on the existence of fragments of archaeological textiles in Greece and to serve as an instrument for the dissemination of the archaeological textile research in Greece and abroad. It was initially thought as the media for the publication of the studies of extant textiles by ARTEX, but it quickly welcomed diverse publications on ancient textiles (from the Bronze Age until the Roman era, studies on iconography, written texts, textile tools etc.). Arachne also hosts papers of students working on various facets of textile production and technology in Greece."


On FACEBOOK

Centre for Textile Research
- the fb page for this research centre

Ancient SCA
- "Ancient Greek and Roman SCA heavies and their consorts"

Romans of the S.C.A.
- "This group for targeted discussion about creating/improving Roman personae (and related provincial cultures) within the Society For Creative Anachronism. If you seek to join and your profile does not show signs that you participate in the SCA, your application may be held! Please note that you can ask the moderators questions before you join. This is a good way for us to find out whether the group will be right for you."

Goin' Minoan: An Exploration into the Clothing of the Minoan Woman *****
by Vesta Antonia Aurelia (Barbara van Look)
[on Gallery on acebook]


PUBLISHED ARTICLES /BOOKS / THESES / RESOURCES / On FACEBOOK / MOTIFS / DIGITAL EXHIBITIONS / VASES / BUTTONS / Bronze Age warrior's Tomb / COLORIZED SCULPTURES / METALLIC / MISCELLANEOUS / TOP


MOTIFS

DESIGN DICTIONARY: Anthemion v. Palmette
- "ANTHEMION v. PALMETTE: These two terms are often used interchangeably. Both are motifs in decorative arts that consist of a group of fronds, sometimes with the center frond being a bit taller. Seen in classical styles, especially in the Neoclassical style of the late 18th and early 19th centuries.
If you are being picky (and we are), there is a distinction between anthemion and palmette. The fronds of an anthemion, which means honeysuckle, tend to curl inward. The fronds of a palmette, which is inspired by a palm, are flat or curl outward. This distinction is readily apparent when one looks at the plants that inspired the motifs."

Palm / Palmette pal MET
- "Architecture:
Palmette: An ornament derived from a palm leaf
Anthemion / Honeysuckle ornament: A common Greek ornament based upon the honeysuckle or palmette. Used singly on stela or antefixes, or as a running ornament onfiriezes, etx."
- "Greece: A palmette is called an anthemion in Greek architecture One of the chief elements in the classical Greek anthemion. One type of ancient Greek palmette resembles honeysuckle flowers, another is more like a palm leaf. Both were used in bands of anthemion ornament."

Palmette Design: Egyptian, Greek & Roman Chapter 3 / Lesson 21

Flame palmette
Palmette
From Wikipedia

Palmettes in Near Easter Rugs (5-page, PDF)
Bulletin of the Metropolitan Museum of Art


PUBLISHED ARTICLES /BOOKS / THESES / RESOURCES / On FACEBOOK / TEXTILE TECHNIQUES / TABLET WEAVING / MOTIFS / DIGITAL EXHIBITIONS / VASES / BUTTONS / Bronze Age warrior's Tomb / COLORIZED SCULPTURES / DYEING / METALLIC / MISCELLANEOUS / TOP


DIGITAL EXHIBITIONS

Colors of Classical Art (Exhibit): Textiles and the Figure
- a digital exhibition

Ancient Greek textiles
by TRC digital exhibitions 

Gods in Color: Painted sculpture of classical antiquity
- Viewable in English or German

Gods on Color @ Museo del Palacio de Bellas Artes in Mexico.


VASES

How to Read Greek Vases By Metropolitan Museum of Art (New York, N.Y.),
by Joan R. Mertens
[WorldCat] [MetPublications] [Google Books] [Google Books Preview]

The Colors of Clay: Special Techniques in Athenian Vases
by Beth Cohen
[Google Books] [Google Books Preview]

Understanding Greek Vases: A Guide to Terms, Styles, and Techniques
by Andrew J. Clark, Maya Elston, Mary Louise Hart
[Google Books] [Google Books Preview]


BUTTONS

Buttons and Their Use on Greek Garments *****
by Kate McK. Elderkin
American Journal of Archaeology Vol. 32, No. 3 (Jul. - Sep., 1928), pp. 333-345
- purchase PDF or view online for free on JStore.org

Representation and Realities. Fibulas and pins in Greek and Near Eastern Iconography (40-page, PDF) ****
by Cecilie Brøns

Gap Sleeve Fasteners 2.1 – Closures for the ionic chiton (16-page, PDF) ****
by Sharon Rose (a.k.a. Tullia Saturnina)
- " Updated 1/8/15 and displayed at 12th Night, Jan 2015. 16 pgs.

Greek and Roman Dress from A to Z
by Liza Cleland, Glenys Davies, Lloyd Llewellyn-Jones
[Google Books] [Google Books Preview]


PUBLISHED ARTICLES /BOOKS / THESES / RESOURCES / On FACEBOOK / MOTIFS / DIGITAL EXHIBITIONS / VASES / BUTTONS / Bronze Age warrior's Tomb / COLORIZED SCULPTURES / METALLIC / MISCELLANEOUS / TOP


Bronze Age warrior's tomb in southwestern Greece, (approx. 3500 years old)

Drs. Sharon Stocker and Jack L. Davis (also), "husband-and-wife archaeologists from the University of Cincinnati, discovered the warrior’s grave."

This 3,500-Year-Old Greek Tomb Upended What We Thought We Knew About the Roots of Western Civilization
-"The recent discovery of the grave of an ancient soldier is challenging accepted wisdom among archaeologists"

UC team discovers rare warrior tomb filled with bronze age wealth and weapons
"An international team of archaeologists led by University of Cincinnati researchers recently discovered a Bronze Age warrior's tomb in southwestern Greece filled with more than 1,400 objects: jewels, weapons and armor, as well as bronze, silver and gold vessels. The unusual find is celebrated in today's New York Times."

New PBS-BBC series 'Civilizations' spotlights Griffin Warrior sealstone artifact in season premiere
"The Pylos Combat Agate, a rare Minoan sealstone discovered by University of Cincinnati researchers in the treasure-laden tomb of a Bronze Age Greek warrior, is among history's most spectacular artifacts featured in the season premiere of the new PBS-BBC series "Civilizations."

Unearthing a masterpiece
by Rachel Richardson
-" A University of Cincinnati team's stunning discovery of a rare Minoan sealstone in the treasure-laden tomb of a Bronze Age Greek warrior promises to rewrite the history of ancient Greek art."


COLORIZED SCULPTURES

Gods in Color Polychromy in the Ancient World [Exhibition BOOK]
by Vinzenz Brinkmann (Editor), Renée Dreyfus (Editor), Ulrike Koch-Brinkmann (Editor)
[WorldCat] [Google Books] [Google Books Preview]
- "When Renaissance artists sought to imitate ancient sculpture, their medium of choice was pure, white marble, but little did they know that the works they emulated were originally painted in dazzling and powerful hues—from red ocher and cinnabar to azurite and malachite. By illustrating painted reconstructions of well-known sculptures in relation to original examples, this volume reveals how ancient artists in Egypt, Mesopotamia, the Aegean, Greece, and Rome brought unexpected and breathtaking color to their artworks. Accompanying these reproductions are watercolors of Greece’s landscapes dating from different years, which show how our perception of ancient art has changed over time. Generously illustrated, this book testifies that the study of ancient sculpture is incomplete without an understanding of the many ways that color was employed to bring such art to life."

Gods in Color: Polychromy in the Ancient World
- Exhibition: October 28, 2017 – January 7, 2018
- " Although the classical ideal usually evokes unadorned bronze and white marble sculptures, the art of ancient cultures was often painted to dazzling and powerful effect. Thanks to modern science, we can discover what pigments were used and how these sculptures would have originally looked. Gods in Color presents reconstructions of well-known sculptural works from ancient Greece and Rome to uncover their original colors and uncover the spirit of classical civilizations as never before. These are complemented by original antiquities from the Mediterranean world and early nineteenth-century watercolors that provide a more comprehensive view of polychromy in ancient cultures."
- Gods in Color: Painted sculpture of classical antiquity [Digital Exhibit]

Gods in Color
- Exhibition: 2016-2017
- At the Museo del Palacio de Bellas Artes in Mexico.

Cosmopolitans Based in Frankfurt
- "The exhibition Gods in Color presented at the Liebieghaus in 2008 has meanwhile been touring the world for almost 15 years. Some insights into the history of the successful show and the research on polychromy."
"FURTHER READING
Vinzenz Brinkmann, Die Polychromie der archaischen und frühklassischen Skulptur, Studien zur antiken Malerei und Farbgebung, Band 5, herausgegeben von Volkmar von Graeve und Vinzenz Brinkmann (2003)
Vinzenz Brinkmann, Ulrike Koch-Brinkmann, Der prächtige Prinz. Zur Farbigkeit der Ägineten (2003)
Vinzenz Brinkmann (Hrsg.), Bunte Götter. Die Farbigkeit antiker Skulptur. Ausstellungskatalog Liebieghaus Skulpturensammlung, Frankfurt am Main (2008)
Vinzenz Brinkmann, Oliver Primavesi, Max Hollein (Hrsg.), Circumlitio. The Polychromy of Antique and Medieval Sculpture, Liebieghaus Skulpturensammlung, Frankfurt am Main (2010)
Clarissa Blume, Polychromie hellenistischer Skulptur. Ausführung, Instandhaltung und Botschaften, Studien zur antiken Malerei und Farbgebung, Band 9, herausgegeben von Volkmar von Graeve und Vinzenz Brinkmann (2015)"

A World of Colour: Textiles and Polychromy in Ancient Art and Architecture
by Cecilie Brøns
- She has several papers on these topics

The Polychromy of Greek and Roman Art: An Investigation of Museum Practices
by Meghan Combs

Color Perception in Sociology: Materiality and authenticity at the Gods in Color show
by Fiona Greenland

Tracking Colour: The polychromy of Greek and Roman sculpture in the Ny Carlsberg Glyptotek (113-page, PDF)
A Preliminary Report 5, 2013 ***

Monochromes on marble from Herculaneum and Pompeii: new researches
by Roberta Iannaccone,

Portraits and Colour-codes in ancient Rome: The Polychromy of white marble Portraits (218-page, PDF)
by Amalie Skovmøller
Thesis

Digital Study and Web-based Documentation of the Colour and Gilding on Ancient Marble Artworks
by Eliana Siotto...

Towards a ‘Polychrome History’ of Greek and Roman Sculpture (18-page, PDF)
by Bente Kiilerich

When Colour tells a Story. The Polychromy of Hellenistic Sculpture and Terracottas
by Clarissa Blume - Jung

Pigment vs. the Texture and Colour of Stone. To what Extent was Stone part of the polychrome Appearance of Hellenistic Sculpture?
by Clarissa Blume - Jung

Bright Pink, Blue and other Preferences. Polychrome Hellenistic Sculpture
by Clarissa Blume - Jung

A Hellenistic Marble Statue with Ancient Polychromy Reported to be from Knidos (24-page, PDF)
In Interdisciplinary Studies on Ancient Stone. Proceedings of the IX International Meeting of ASMOSIA, Tarragona Spain, 2009, edited by A. Garcia, P. Lapuente, and I. Rodà. Tarragona: Institut Catala. 2012. 763-770.

A Warrior's Accountrements
"In 2014, the Antiquities Department of Calabria gave us permission to make a complete scan of the important and famous bronze warrior known as "Statue A" found in the sea off Riace. We had undertaken to make a bronze reconstruction of the sculpture as well as replacements for all of the elements missing from it."

The Play of Colour on the Muses and the Kouros
"Everyone who has ever worked with the Frankfurt muses executed in the Late Hellenistic period (ca. 100 BC) has thought it important to point out the numerous traces of paint on the marble garments."

Tracing the Colors of Ancient Sculpture
- Silent Video
- "Getty Museum Published on Feb 7, 2012 Using ultraviolet and raking light, archaeologist Vinzenz Brinkmann examines marble sculptures of Athena and Paris from the Temple of Aphaia, now in the Glyptothek in Munich. In the process, he reveals examples of physical evidence used to inform the recreations of the original color design and paint scheme of the statues."

Bunte Götter (Colorful gods)
- Exhibition: 2012
- website is in German
- (Google Translate) "Colored antiquity The fact that antique sculpture and architecture was painted in color does not fit into our picture of Greek and Roman art. Because they mostly came to light without their original color coating, the statues were turned white since the Renaissance. The aesthetics of the colorless, pure form, which is then disseminated in European classicism of the 18th and 19th centuries, continues to shape our imagination to this day. However, the bright marble surface of the statues and busts is the result of weathering and modern cleaning."

Ροζ, κίτρινα, σιέλ! Έτσι ήταν στην πραγματικότητα τα αρχαία ελληνικά αγάλματα (pics)
- website is in Greek

True Colors: Archaeologist Vinzenz Brinkmann insists his eye-popping reproductions of ancient Greek sculptures are right on target
by Matthew Gurewitsch

This Is What Ancient Greek Statues Used To Look Like In Color
by iflscience.com

'Gods in Color' returns antiquities to their original, colorful grandeur
by CNN.com

Dazzlers: Ancients reborn in bright array
by Christopher Reed

The Colors of the Ancient Greeks and Romans
by Stella Nenova
- Article

A More Colorful Ancient Greece: Pigment Proves Classical Statues Were Once Painted
- Annoying website videos and ads


PUBLISHED ARTICLES /BOOKS / THESES / RESOURCES / On FACEBOOK / MOTIFS / DIGITAL EXHIBITIONS / VASES / BUTTONS / Bronze Age warrior's Tomb / COLORIZED SCULPTURES / METALLIC / MISCELLANEOUS / TOP


METALLIC

Dress and Identity in Iron Age Italy. Fibulas as indicators of age and biological sex, and the identification of dress and garments (24-page, PDF)
by Cecilie Brøns


MISCELLANEOUS

Intro To Roman Clothing (31-page, PDF) ****
by Sharon Rose (a.k.a. Tullia Saturnina)
-" Updated 7/26/17 – Includes practical construction notes on hair, jewelry, clothes, and undergarments for men, women, and children. 31 pgs"
- Dye colors are discussed. This is an excellent research paper and website
- "video of my presentation here (20 min talk, 20 min Q&A)"

Knots in Art (-page, PDF)
by Slavik Jablan, Ljiljana Radovic , Radmila Sazdanovic, and Ana Zekovic

Der Blick in eingelegte Augen: Griechische und römische Skulpturen
[Google Translate: The look in the eyes: Greek and Roman sculptures]
by Ny Carlsberg Glyptotek
by Verena V. Hoft
- She has several papers in English on eyes and faces in sculptures
- "In this article the first results of my investigation of inlaid eyes are given. That this technique is an aspect of polychromy has so far never been discussed thoroughly. To find out more about the antique techniques, I investigated the eye cavities for inlay of 22 sculptures in the collections of the Ny Carlsberg Glyptotek, described them and made detailed photographic documentation. In a datasheet I collected the archaeological evidence, which will be part of a database. These Greek and Roman sculptures demonstrate that there are different shapes of eye cavities. Up to now there are three diverse forms distinguishable: first, the inner surfaces taper to a V-shape, second, the eye cavities are almond-shaped and like a cylinder at the rear and lastly, forms which seem to be random without a clear, identifiable shape. Further research is necessary to better understand the liveliness and vitality of the visual appearance of inlaid eyes, their context and the technical aspects involved."


The Metropolitan Museum of Art. Vol. 2, Greece and Rome (170-page, PDF)
by The Metropolitan Museum of Art, introduction by Joan R. Mertens (1987)
[WorldCat] [Free, legal PDF from The MET] [Google Books] [Google Books Preview]
- Click on the tab, Ädditional Resources" to see image/links to theitems in t he book that are at The MET

Minoan Crete
Mycenaean Civilization
Hellenistic Jewelry
Ancient Greek Colonization and Trade and their Influence on Greek Art
The Art of Classical Greece (ca. 480–323 B.C.)
Art of the Hellenistic Age and the Hellenistic Tradition
Cyprus—Island of Copper
by Colette Hemingway (Independent Scholar)
and Seán Hemingway (Department of Greek and Roman Art, The Metropolitan Museum of Art)
- The Metropolitan Museum of Art's website
- Online essays, see "Further Reading" tab for book citation

Women in Classical Greece
by Colette Hemingway (Independent Scholar)
- The Metropolitan Museum of Art's website
- Online essays, see "Further Reading" tab for book citation

Ancient Greek Colonization and Trade and their Influence on Greek Art
by Colette Hemingway (Independent Scholar)
- The Metropolitan Museum of Art's website
- Online essays, see "Further Reading" tab for book citation

Shipping Sheep: A Zooarchaeology of Greek Colonization (335-page, PDF)
by Jane Sanford
PhD Thesis, 2012

Deep reflection: an archaeological analysis of mirrors in Iron Age Eurasia (477-page, PDF)
by Alexandra Caroline Moyer
- Thesis, 2012

European Societies in the Bronze Age
(570-page, PDF)
by Anthony F. Harding
- "The European Bronze Age, roughly 2500 to 750 BC, was the last fully prehistoric period and crucially important for the formation of the Europe that emerged in the later first millennium BC. This book provides a detailed account of its material culture, and focuses on the findings of the past twenty years, when a large amount of data was collected, necessitating a revision of received views on many aspects of the period. By comparing and contrasting evidence from different geographical and cultural zones of Europe, it draws out the essential characteristics of the Bronze Age. Arranged thematically, it reviews the evidence on settlement, burial, economy, technology, trade and transport, warfare, and social and religious life, and describes the main theoretical models that have been developed to interpret these new materials. The result is a comprehensive study that will be of value to specialists and students, and accessible to non-specialists."
[[[Check online if the link works, it was an automatic download from Google search]]]

Fashion Costume and Culture, Vol 1, The Ancient World (261-page, PDF)
"Life in Ancient Greece"starting at page 172 of the file (p 113 of book)

The fabric of society: recognising the importance of textiles and their manufacture in the ancient past (6-page, PDF)
by Lin Foxhall


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  May2018